Eternal Eclipse Conclave of Hollow Radiance
Four-channel stereo VCA mixer that is a normal mixer at rest and a feedback instrument when pushed: Veils' chain forward (an unpatched OUT passes the channel down), a bipolar FEED per channel backward around the ring through a tunable comb, a stereo send with its return inside or outside the circle, MATTER to darken the feedback, and a lookahead limiter before the outputs.
Animatek ADSRTEK
ADSR and AD envelope modelled on measurements of a classic 90s virtual-analogue modular: its 128-step time table, its log, linear and exponential attacks, snappy exponential decays and its 24 kHz control rate. Retriggers pick up from the current level. Polyphonic, with CV over every stage and a built-in VCA.
Cardamom Tools Milone
Dual VCA with four-quadrant ring modulation
Teia Synthesizers vcATeam
Dual velocity VCA. Each channel is a main VCA with offset, attenuverted CV and a linear/exponential response switch, feeding a linear velocity VCA whose input is normalled to 5 V. Both channels are summed to a mix output. Software port of the Teia Synthesizers vcATeam Eurorack module.
forsitan modulare cartilago
Gristleizer: LFO into a FET attenuator that never closes, or into a swept filter.
Venom DASE - Dynamic Amplifying Shaping Envelope
Novel Attack/Decay envelope generator that functions as an unusual VCA and waveshaper via audio rate envelope modulation
shapetaker Chiaroscuro
Stereo VCA with sidechain-controlled distortion engine. Named after the artistic technique of dramatic light/dark contrast, features 5 intense distortion algorithms with full CV control.
Animatek CAP
Stereo ducking VCA that lowers audio on each trigger and recovers with adjustable depth, timing and natural variation. It also works as a lowpass filter or a vactrol-style low-pass gate that triggers can ping. Pan with CV, a VCA CV input, envelope and end-of-cycle outputs, and CAPs placed side by side chain into a mixer without cables.
TriggerFish 4072 Voice Core
Circuit-modelled ARP 4072 low-pass filter, dual envelopes, and 4019-style VCA
TriggerFish 303 Voice Core
Circuit-modelled TB-303 diode ladder, articulation envelopes, accent path, and OTA VCA
Infinite-Noise Poly-Scale
4HP scale (attenuvert/amplify) individual or group of channels of a polyphonic signal. All scale, 8 knobs, 1x/2x/5x/10x.
Infinite-Noise Manuel Mix 4 Stereo
4HP stereo mixer: 4 stereo inputs, per-input knob/CV (0-200%), stereo mix, unity or averaging. Optional mono-to-stereo.
Infinite-Noise Manuel Mix 4 Mk II
4HP mixer: 4 inputs, per-input knob/CV (0-200%), individual outputs plus mix, unity or averaging.
Infinite-Noise VCA-4 Mk II
4HP quad VCA: independent knob/CV gain (0-100%) per section. Polyphonic, lin/exp/log, optional A/B, B/C and/or C/D link.
Infinite-Noise VCA-4 Mk I
2HP quad VCA: shared knob/CV gain (0-100%) across four signals. Polyphonic, lin/exp/log.
Infinite-Noise VCA-2
2HP dual VCA: independent knob/CV gain (0-100%) per section. Polyphonic, lin/exp/log, optional A/B link.
Infinite-Noise Tweak-8
14HP 8-section attenuverter: individual knob/CV scale (1x, 2x, 5x, 10x) and offset, plus averaging mix. Quantize, optional link-to-A.
Infinite-Noise Tweak-4 Mk II
7HP quad attenuverter: individual knob/CV scale (1x, 2x, 5x, 10x) and offset, plus averaging mix. Quantize, optional link-to-A.
Infinite-Noise Tweak-2 Mk I
2HP dual attenuverter: shared knob/CV scale (1x, 2x, 5x, 10x) and offset. Polyphonic, quantize, stereo-friendly. No mix.
Venom Hybrid Knot
Digitial emulation of the Lorre Mill Double Knot synthesizer incorporating elements of both versions 2 and 3
Venom Wave Multiplier
A polyphonic waveshaper inspired by the Doepfer A-137-2 coupled with integrated LFO modulation
